Thomas Cantrell Dugdale (1880 – 1952), British

British portrait and subject painter, decorator and designer for textiles. Born 2 June 1880 at Blackburn, died in London 13 November 1952. Studied at the Manchester School of Art, the Royal College of Art., the City and Guilds School, Kennington, and at the Académie Julian and Atelier Colarossi in Paris. Exhibited at the Royal Academy from 1901 and at the New English Art Club. Served as Staff Sergeant in the Yeomanry from 1910 and was in Egypt, Balkans, Dardanelles, Gallipoli and Palestine during the 1914–18 war. Held an exhibition at the Leicester Galleries 1919 of pictures of Palestine, Syria, etc. Married Amy K. Browning, painter, 1916. His paintings can be found in several British museums, for example. Tate Gallery London, Imperial War Museum, London.

Thomas Dugdale visited Macedonia in 1917, where he served in the British forces located around the lake of Dojran. He has painted the painting entitled “Bombardment of Bulgar Trenches: Doiran Balkans, Pip Ridge, and Grande Petite Couronnes” which is today in the Art collection of the Imperial War Museum in London, UK.

Thomas-Cantrell-Dugdale-1880-1952Bombardment-of-Bulgar-Trenches-Dojran-1917-gouache
Thomas Cantrell Dugdale 1880-1952 Bombardment of Bulgar Trenches Dojran 1917 - gouache

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About Me

Vlatko potpis s

This lexicon is a result of my 15 years long period of researching & documenting the personalities and the artworks of the foreign painters, sculptors, illustrators, and photographers having visited different spots of the geographic territory of Macedonia, there having created works of art there over a 100-years long period i.e. between 1850-1950. Their presence and artwork in the Macedonian milieus represent a notable cultural heritage to the international linkage of the ethnic Macedonians as well as to all the ethnicities living in the picturesque territory of Macedonia and the cultures of modern-day countries spread over parts of the geographic territory of Macedonia. Witnessing the artistic contributions of the foreign artist, we are proud of their Macedonia-themed creative works and experiences. I believe that their artworks, having been inspired and created over the vast region of Macedonia, unite us all in these challenging times, and under the facts and the values of the artistic beauty.

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