Weitz Helmuth - Art Lexicon

Lexicon of foreign painters in Macedonia between 1850-1950

Helmuth Weitz (1918 -1966), German

Born on January 5, 1918 in Düsseldorf, died in 1966 in Mönchengladbach. Düsseldorf landscape, figure and still-life painter and graphic artist. Painted in a neo-impressionistic style. He attended the Düsseldorf Academy and was a student of Heuser, Kiederich and Junghanns. His painting style is influenced by impressionism and classic modernism.
Weitz visited Macedonia in the 1950s where he painted the watercolor Ohrid, St., Naum Monastery which is in the collection of the author of this lexicon.

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About Me

This lexicon is a result of my 15 years long period of researching & documenting the personalities and the artworks of the foreign painters, sculptors, illustrators, and photographers having visited different spots of the geographic territory of Macedonia, there having created works of art there over a 100-years long period i.e. between 1850-1950. Their presence and artwork in the Macedonian milieus represent a notable cultural heritage to the international linkage of the ethnic Macedonians as well as to all the ethnicities living in the picturesque territory of Macedonia and the cultures of modern-day countries spread over parts of the geographic territory of Macedonia. Witnessing the artistic contributions of the foreign artist, we are proud of their Macedonia-themed creative works and experiences. I believe that their artworks, having been inspired and created over the vast region of Macedonia, unite us all in these challenging times, and under the facts and the values of the artistic beauty.

Random Story

János Vaszary (Kaposvár, 1867 – Budapest, 1939), Camel Caravan, Skopje 1916, oil on canvas in the collection of Hungarian National gallery.

Stories

Camels in Skopje

It is May 14, 2019. I woke up with a new message from my “Macedonian art” internet search queries. The Hungarian auction house BÁV Zrt

Dedicated to the girls of my life: Marija, Sara and Eva

COPYING STRICTLY PROHIBITED WITHOUT PRIOR AUTHOR’S PERMISSION